Julianne Nicholson in her teenage was a
Marilyn Monroe “fangirl”.
The Emmy-winning celeb of
Mare of Easttown
and the thriller
finished every book she could find on her.
She used to watch her movies, heard the compilation albums of her
pieces of music, and had snapshots
of her taped up in her safe.
she was obsessed.
She thinks that she was so gorgeous and tragic. Now after a few decades, she’s playing her mother in a movie
so volatile that everyone is interested.
Celeb Ana de Armas has been pushed to rush to its shield. Nicholson, to her praise,
confesses that it won’t be for everyone.
Especially, those who don’t want to watch her as a child abuser in the holds of
ocean-green eyes and freckles
are screaming sunlight beaming via the window
She’s just driven to the UK from New York with her husband Jonathan Cake, a native Brit and their kids at the Venice Film Festival to
for the foremost time.
She was worried her teenage attachment to Marilyn
made her feel “shielding”
from the star’s remembrance.
refines Marilyn Monroe’s short
life into a train of ghoulish meetings and existential hits to the core.
She’s changed into a pound of meat for America to dine on.
That belief from author and director Andrew Dominik, who acclimated Joyce Carol Oates’s doorstopper of a
bestseller has unintentionally got
into crisis already.
is a Marilyn Monroe biopic then it should be
drenched in petrol and set on fire
because Nicholson plays the role that ignites it.